Vittore Carpaccio

Italian 1455-1526 Vittore Carpaccio Locations His name is associated with the cycles of lively and festive narrative paintings that he executed for several of the Venetian scuole, or devotional confraternities. He also seems to have enjoyed a considerable reputation as a portrait painter. While evidently owing much in both these fields to his older contemporaries, Gentile and Giovanni Bellini, Carpaccio quickly evolved a readily recognizable style of his own which is marked by a taste for decorative splendour and picturesque anecdote. His altarpieces and smaller devotional works are generally less successful, particularly after about 1510, when he seems to have suffered a crisis of confidence in the face of the radical innovations of younger artists such as Giorgione and Titian.


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Vittore Carpaccio Madonna and Blessing Child oil


Madonna and Blessing Child
Painting ID::  339
Madonna and Blessing Child
c1505 National Gallery of Art, Washington DC
c1505_ National_Gallery_of_Art,_Washington_DC
   
   
     

Vittore Carpaccio The Flight into Egypt oil


The Flight into Egypt
Painting ID::  340
The Flight into Egypt
1500 National Gallery of Art, Washington DC
1500_ National_Gallery_of_Art,_Washington_DC
   
   
     

Vittore Carpaccio The Virgin Reading oil


The Virgin Reading
Painting ID::  341
The Virgin Reading
c1505 National Gallery of Art, Washington DC
c1505_ National_Gallery_of_Art,_Washington_DC
   
   
     

Vittore Carpaccio Holy Conversation oil


Holy Conversation
Painting ID::  342
Holy Conversation
Musee du Petit Palais, Avignon
Musee_du_Petit_Palais,_Avignon
   
   
     

Vittore Carpaccio Stephen Preaching at Jerusalem (mk05) oil


Stephen Preaching at Jerusalem (mk05)
Painting ID::  20081
Stephen Preaching at Jerusalem (mk05)
Canvas,58 1/4 x 76 1/2''(148 x 194 cm)Entered the Louvre in 1812
   
   
     

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     Vittore Carpaccio
     Italian 1455-1526 Vittore Carpaccio Locations His name is associated with the cycles of lively and festive narrative paintings that he executed for several of the Venetian scuole, or devotional confraternities. He also seems to have enjoyed a considerable reputation as a portrait painter. While evidently owing much in both these fields to his older contemporaries, Gentile and Giovanni Bellini, Carpaccio quickly evolved a readily recognizable style of his own which is marked by a taste for decorative splendour and picturesque anecdote. His altarpieces and smaller devotional works are generally less successful, particularly after about 1510, when he seems to have suffered a crisis of confidence in the face of the radical innovations of younger artists such as Giorgione and Titian.

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